CTA brings smile-worthy oldies show to Kahilu

If you owned a radio in the last century, chances are Chicago’s classic rock hits are still permeating your music memory banks. Founding member and original drummer for the band (1967-90), Danny Seraphine brought his tribute ensemble CTA (California Transit Authority ) to the Kahilu Theatre on Oct. 7 as part of his tour called Take Me Back To Chicago.

Crossing Rain delivers Hawaii’s newest genre – ‘H-pop’

Following in the footsteps of successful, trendy J-pop and K-pop acts like BTS, Hawaii has now crafted its own genre of popular mainstream music called H-pop, and Crossing Rain (affectionately known as “XR”), a six-member boy band based on Oahu, is leading its charge.

Crossing Rain on Hilo’s weekend radar

For five members of Crossing Rain, Hawaii’s burgeoning boy group, Saturday evening’s concert at Hilo’s Palace Theater is a foray into uncharted territory. But for Jorden Kealoha-Yamanaka, it’s a triumphant homecoming.

Julia Keefe expands the jazz spectrum

Growing up on a reservation in Kamiah, Idaho, Julia Keefe’s journey into jazz began in her formative years. At four, she was captivated by Billie Holiday’s signature vocal style, especially the song “No More,” from her mother’s CD collection. Later, when Keefe started singing in the choir and high school events, her family encouraged her to broaden her musical horizons.

‘Hair’ is a hit: HPAF let’s the sun shine in

Grooooovy, man. Psychedelic. As the audience trickled into Waimea’s Kahilu Theatre Saturday night, the stage was slowly filling to the brim with bell-bottomed, tie-dyed, head-banded hippies, meditating or writhing sensuously. Smoke wafted lazily across the scene. It was 1968 again. The scrim at the back of the stage featured a 1960’s vintage Peter Max style design that then left the scrim and panned across the “tribe,” lying prostrate on the stage floor. Then the light show left the stage and panned across the audience pulling us right into the action.

‘Orpheus in the Underworld’s’ two-show run a success

Hawaii Performing Arts Festival (HPAF) fans are thrilled that fully staged opera is once more part of paradise. At the Kahilu, temperatures are taken, and masks are worn, but the bar is open, seats are filled, and generous patrons (for this opera, Michael Thompson and Marilyn and Carl Bernhardt) have again stepped up to give the Big Island community what it so craves: sets, singers, an orchestra in the pit and a full show to come.

‘As One’ Opera: A moving take on gender identity

This year’s Hawaii Performing Arts Festival (HPAF) theme is “A Season of Self-Discovery” and that was reflected in last weekend’s two performances of “As One,” a story about Hannah, a young transgender woman. Through 15 songs and a three-part narrative, the opera reveals Hannah’s experiences from her youth in a small town to her college years, and then traveling to Norway.

Elevated spirits: ‘Opera on the Rocks’

Imagine you’re in a cozy little cabaret, maybe in Paris. Sitting at small tables, with the bar open for business, you can look straight into the eyes of the singers performing just feet away from you. Well, the Hilo Palace Theater lobby transported us there for the Hawaii Performing Arts Festival’s “Opera on the Rocks,” one of my favorite musical events of pre-COVID years, and now, finally, back again! This is theater up close and personal, with the resonance of the voices injecting an electric charge into the atmosphere that reverberates to the bone. You don’t just hear the music; you feel it.