High art becomes body art as visitors to Amsterdam’s Rembrandt House Museum get inked

Henk Schiffmacher's needle whirrs as he tattoos the lines of am elephant on Lilian Rachmaran's back in Amsterdam, Monday, June 19, 2023. "Highbrow to lowbrow" is how the famous Dutch tattoo artist describes his latest project, inking drawings by Rembrandt van Rijn onto the skin of visitors to the building the Golden Age master once called home. (AP Photo/Peter Dejong)

AMSTERDAM — Henk Schiffmaker’s needle whirrs as he tattoos the familiar lines of an elephant on Lilian Rachmaran’s back.

“Highbrow to lowbrow” is how the famous Dutch tattoo artist describes his latest project — inking sketches by Rembrandt van Rijn onto the skin of visitors to the building the Golden Age master once called home.

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Or call it high art to body art.

The Rembrandt House Museum has transformed one of its rooms into a tattoo parlor for a residency it calls “A Poor Man’s Rembrandt,” featuring Schiffmaker and other top Amsterdam tattoo artists for a week starting Monday.

For between about 50 euros and 250 euros ($54 – $270), visitors can get their own permanent reminder of Rembrandt.

“It’s a juxtaposition — a jump from high to low, from highbrow to lowbrow,” Schiffmacher told The Associated Press. “And it’s great that these two worlds can visit one another. Actually it’s really one world because it’s about art.”

Museum Director Milou Halbesma said the event is a way of attracting new visitors to the historic house and getting people closer to the artist.

“I think it’s a very good contemporary way to have your own Rembrandt,” she said.

The workshop has already proved a hit. All appointments available online were filled within 10 minutes, she said, though there are still some slots available for people who walk into the museum and wait their turn.

Schiffmacher and his colleagues have adapted some of Rembrandt’s sketches to make them suitable for tattooing — making lines thinner so they don’t grow together as the tattoo ages.

They see similarities between their work and the artist’s quick sketches — but there is one key difference.

“The canvas is different,” Schiffmacher said. “The canvas can talk to you, move too much, float, even faint. That didn’t happen for Rembrandt.”

Rachmaran, who works at the museum, was the first person in Schiffmacher’s chair.

She got his version of one of Rembrandt’s famous sketches of an Asian elephant believed to be Hansken, which first arrived in Amsterdam in 1633 on a ship from Ceylon — now Sri Lanka — as a gift for the Prince of Orange.

“I love the animals, they’re so spiritual and smart and impressing and Rembrandt also made Hansken, the first elephant in Europe,” she said.

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